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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair achieved a global success with their cover of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He later formed the pioneering techno group The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that show, Ball performed in a wheelchair, as he had for the previous couple of years, following a spate of ill-health.

"I managed to damage myself significantly," he commented in 2023. "I broke lower vertebrae in my back and fractured about five ribs and broke my arm."

Following catching a lung infection and suffering from blood poisoning, he was put in an induced coma and stayed in the hospital for half a year.

However, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, called Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we literally finished only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the knowledge that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant part of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from joining a band, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from his birth name to David, together with his sibling his sister, who was also adopted.

He encountered Almond at an art college in 1977, where they were both studying fine arts. Inspired by a shared love of a music genre, they established Soft Cell the very year, and quickly recorded an EP.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and eye-liner; but they attained a unique musical alchemy.

Ball had cultivated a fascination with synthesizers after viewing Kraftwerk perform on BBC program Tomorrow's World, and began to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, shifting 21 million copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped paved the way for the electronic music style of the 80s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were developing new material until just before Ball's passing

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my initial property, having financial security and exploring, which might seem like a beauty queen," Ball recently told with a music magazine.

But it also presented challenges. "Newfound wealth allowed we could purchase newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to produce a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before ending the group to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 album Cruelty Without Beauty.

After a further break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the duo's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He noted that his time in medical care had shaped the group's music.

"I experienced unusual memories when I was coming and going of hospital because I was on morphine," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my mind from that time.
"In parallel, it's about the times we had in the 80s."

The last versions were completed only days before Ball passed away. It is scheduled for launch in the spring of 2026.

About the author

Kenneth Lam

A passionate writer and educator with over a decade of experience in fiction and creative non-fiction.

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